T.3.2 On Sheepsbodies: Critical Appraisal

When visiting this exhibition, one is met with a room of interestingly framed artworks, two denim jackets in the centre and at the far front, a corner of books and a plant with a plate of words that summarise the narrative for the room.

This untitled piece from the 'Sheepsbodies' exhibition at Spazju Kreattiv, created by Matthew Cassar and Lara Calleja, delves into the impact of a fast-paced world and social media on individual identity.

Initially the artwork chosen wasn't a first pick and I thought of the scope behind it as being more funny - a play on words for the phrase 'go touch some grass' but as I read the poem placed in the room, more insight surfaced and I could appreciate both the technical skill and beauty of the vibrant colours but also the beauty of it's concept.

The term 'Sheepsbodies' plays on 'dogsbody,' prompting reflection on who we follow and how external influences shape our identity.

Measuring to about 70x60cm, the artwork combines painting and sculpture, featuring a realistically painted arm surrounded by an abstracted green landscape made from recycled materials. Cassar uses a unique technique involving the mixing of glue and cornstarch to create a plaster-like binder for the materials.

The central focus is a three-dimensional arm reaching out, creating a sense of urgency. The surrounding objects, made from diverse materials, contribute to the chaos and depth. The sharply cut edges of the wooden base evoke fragmentation, encouraging viewers to empathize with the central figure, possibly sinking into a metaphorical quicksand.

The artwork's visual complexity is accompanied by a poem by Lara Calleja, providing additional context. The poem conveys a sense of overwhelm, symbolized by drowning in a sea of colors. Green represents a better world, red a fiery heart, yellow peace, and blue infinity. The subject grapples with existential questions, pondering their true desires amidst the overwhelming pursuit of dreams.

Placed strategically in the room, the artwork draws attention to the societal challenge of staying grounded in a culture marked by busyness and social media addiction. The poem complements the visual elements, conveying a message that may not be immediately evident from the colors alone.

The artwork's placement, seemingly rough, and the use of recycled materials highlight the process of grounding through artistic practicality. Despite its outward appearance, the piece showcases meticulous craftsmanship, with Cassar's painting technique and the thoughtful use of materials.

The work serves as a focal point in the room, reminiscent of an altar, prompting viewers to contemplate the deeper meaning. Initially resembling a fine art take of the phrase 'go touch some grass,' the context of the work shows a profound commentary on the challenges posed by the idealized aesthetic life portrayed on social media.

In the context of today's culture, the artwork emphasizes the need for grounding amid the constant bombardment of information. It invites viewers to reflect on the potential loss of self in the pursuit of an aesthetically perfect life and the importance of maintaining authenticity in a society driven by external influences.